I–VI–II–V = Secret to Standards
This turnaround shows up in every jazz tune—master it and you unlock a dozen standards.
This turnaround shows up in every jazz tune—master it and you unlock a dozen standards.
Perfect way of abstracting patterns by Dexter Gordon. Do you want to know how he makes them sound so natural and fluent? Watch this video.
Substitutions can make your lines sound richer—without changing the harmony.
You’ll Learn:
Diatonic Substitute Chords
How to use Diatonic Subs in your lines
Real Functions of Diatonic Subs
The minor II-V-I sounds darker and more complex—here’s how to make it sound smooth and clear.You’ll learn:
Let’s check out a memorable line by Joshua Redman, from his album ‘Wish’.
You’ll Learn:
How Jazz Masters Combine Different Techniques For Great Lines, &
How To Use Chromaticism with Subs
Let’s take the most used chord progression in jazz—and break it down into something you can play today.
Learn Using:
Guide Tones
Chromatic Approach
Diatonic Subs
Minor Conversion
… with II-V-I
George Benson and McCoy Tyner show mastery with these beautiful solos. Do you want to learn what they are doing? Check this video out.You’ll Learn:
Discover advanced tones with a chromatic approach! In this video, we’ll dive into the world of extended harmonies and melodic possibilities.
You’ll Learn How To Combine Chromaticism With Advanced Substitutions and Create Melodies With Chromaticism and Other Techniques
Learn how to master developing a full jazz solo from a single phrase, even if you’re a complete beginner!
You’ll Learn:
How To Develop One Idea In To A Full Solo, Use Melody For Your Solos
You can create your own counterpoint by mixing chords into your solos.
You’ll Learn: How To Create Counterpoint With Chords, How To Use Chords As Punctuation and How To Practice Mixing Chords In To Solos